Crossroads by Nicole Miras

Crossroads by Nicole Miras

Claude Monet in the Garden

Haystacks and poplars, Gothic cathedrals and Venetian views. After exploring several of Monet's most prominent series, we finally turn to his beloved garden at Giverny.

Nicole Miras's avatar
Nicole Miras
Dec 10, 2025
∙ Paid

This is the fourth essay in Claude Monet: The Art of the Series.

Water Lilies, Claude Monet ca. 1906. Via the Art Institute of Chicago.

Claude Monet moved to the house in Giverny in 1883.

The people of Giverny, a small village in Normandy, were no doubt scandalized by the artist’s living arrangements. His wife Camille had passed away in 1879, and his mistress Alice Hoschedé now resided with Monet and all of their children from their separate marriages. To make matters worse, Alice’s husband, the former department store magnate Ernest Hoschedé, was still alive. (For some years, the Monets and the Hoschedés all lived together after Ernest went bankrupt in 1877. In a rather peculiar arrangement, Alice nursed Camille before she died at the age of thirty-two.)

Monet chose the property in Giverny as a place in which the families could settle after years of instability. He would be a renter in the beginning; it wouldn’t be until after the success of his Haystacks and Poplars series that he coul…

User's avatar

Continue reading this post for free, courtesy of Nicole Miras.

Or purchase a paid subscription.
© 2026 Crossroads by Nicole Miras · Privacy ∙ Terms ∙ Collection notice
Start your SubstackGet the app
Substack is the home for great culture